Vaidlustaja täiendav seisukoht

AVEC EST OÜ 31.01.2024 RIIGIHANGE 273280, TALLINNA ÜLIKOOL, “TELEKAAMERATE OSTMINE” Pakkuja vastus vaidlustusmenetluses riigihankes „Telekaamerate ostmine“ (viitenumber 273280) Hankijalt saadud vastustele 25.01.2024 2. Hankija ei nõustu esitatud vaidlustusega ning selles vaidlustaja poolt toodud argumentidega, kuna vaidlustaja (hankemenetluses ning edaspidi samuti pakkuja) poolt esitatud pakkumus ei vasta riigihankes sätestatud tingimustele ning pakkuja ei vaidlustanud riigihanke alusdokumente selleks ettenähtud aja jooksul. - Mida me konkreetselt vaidlustama oleks pidanud? Et turul ei eksisteeri ühtegi teist täpselt samasuguselt komplekteeritud kaamerasüsteemi nagu hanke näites toodud? Milleks siis eraldi välja tuua: “või samaväärne”. Helistasin kohe pärast hanke avaldamist hr. Tarmo Rajaleiule ja küsisin, kas mõne teise tootja kui Grass Valley samaväärset toodet võib paakuda või ei ole sellel mingit mõtet. Vastus oli: Muidugi võite, mis saab meil selle vastu olla? Milles siis samaväärsus seisneb. Kas selles millise kvaliteediga pilti/heli see kaamerasüsteem suudab toota või selles millise tootja poolt see on toodetud? 3. Hankija teavitas vaidlustajat oma 17.01.2024.a. tehtud otsusest (Lisa 1) samal päeval Riigihangete registri (RHR) vahendusel. Enne nimetatud otsuse tegemist pöördus hankija 03.01.2024 RHR keskkonnas täpsustavate k simustega pakkuja OÜ AVEC EST poole, millele pakkuja vastas 05.01.2024. - Nendes vastustes 05.01.2024 kirjeldasime nagu nüüdki, et meie poolt pakutav süsteem on samaväärne hanke dokumentides küsitud kaamerasüsteemiga. Kuna loeme, et tähtis on tervik, mitte iga süsteemiosa eraldi võetuna. Siinkohal toome veelkord ära meie vastused nendele küsimustele: vastused vaidlusalustele punktide on välja toodud “paksendusega” kirjapildis. 1. Meie poolt pakutaval kaameral on 4P star lter sisse ehitatuna. 2. Meie poolt pakutaval kaameral ei ole soft focus optilist ltrit sisse ehitatuna, samas saab sellise ltri vajadusel kaamera objektiivi ette lisada. 3. Meie poolt pakutava kaamera kere kaal ilma lisadeta on 2,1kg 4. Meie poolt pakutaval kaameral on lisaks 20-pin pistikule pildiotsija jaoks ka SDI signaali väljund välisele monitorile. See on parem lahendus kui HDMI pesa kuna on “lukustatav” ühendus ja ka ühendatav passivne kaabel saab olla kordades pikem ja paindlikum. 5. Meie poolt pakutaval kaameral on nii astmeline võimenduse reguleerimine (“master gain”) kui ka sujuv reguleerimine. Samas on olemas ka sujuv säriaja reguleerimine mis võimaldab samuti videonivood sujuvalt reguleerida. 6. Meie poolt pakutud kaamera süsteem : kaamera ja kaamerakanal (CCU) toetab kõiki tehnilises kirjelduses nõutud parameetreid. Nii 1080p50/59,94 kui ka kõiki teisi HD, SD fi fi ü fi  ja 4K signaale. 6x kiirusega lmimist meie poolt pakutav süsteem ei toeta, samas ei võimalda seda ka Riigihankes näitena toodud GV LDX-92 kaamera. Sellist omadust ei saa sellele kaamerale hiljem ka lisada, näiteks litsentsi ostmise teel. Nii et ainult kaamerakanalil sellise omaduse olemasolu ei võimalda süsteemi “slo-motion” lmimiseks kasutada. 7. Meie poolt pakutavat kaamerasüsteemi saab juhtida üle WiFi ja läbi puutetundliku iPad ekraani. 8. Meie poolt pakutav juhtpaneel võimaldab “joystick” abil reguleerida kaamera ava ja musta nivood ( Iris, Master Black ) Võimenduse (Gain) ja värvi temparatuuri ( Color temperature ) reguleerimiseks on paneelil eraldi nupud. 9. Meie poolt pakutav 7” pildiotsija ekraani heledus on kuni 450 cD/m2 , kaasas on päikese vari (sunHood). Pildiotsija kaal on 1kg ja resolutsioon 1920x1080 pikselit. Pildiotsijal on lisaks 20-pin ühendusele kaameraga ka eraldi 3G/HD/SDI sisend lisasignaali ühendamiseks. Kaal on 1kg võimsustarve 12W. 10. Pakutud 7” pildiotsija on mõeldud tööks temeratuurivahemikus -20*C kuni +45*C 11. Pakutud 2” värviline pildiotsija on mõeldud tööks vahemikus -25*C kuni +45*C. Madalatel temperatuuridel töötamiseks on tal sisseehitatud “heater” reziim. Selles reziimis suureneb võimsustarve 5W-lt 6,5W-ni. Lisaks on meie poolt pakutaval kaameral mitmeid omadusi/võimalusi mida hankes näitena toodud kaameral ei ole: Näiteks: - reaalajas toimiv kaamera objektiivi abberatsiooni korrigeerimine ( RLAC ). - automaatne halli skaala seadistus, ( erinevate objektiividega on erinev seadistus) - automaatne pildi vertikaalse ja horisontaalse modulatsiooni seadistamine vastavalt . kasutatavale objektiivile. (automatic vertical and horizontal modulation shading . correction) - kolmekordne mask’i funktsioon värvide sõltumatuks korrigeerimiseks. (Triple- masking) - kaameral on 230V vahelduvvoolu väljund. Võimaldab ilma lisa toitekaablikaabli . vedamist kaamera juurde paigutada prompteri monitori. Märkus: Hanke punktis 4. küsitud Grass Valley XF Universe Fiber Adapter ei võimalda punktis 5. küsitud IP tuge ( FULL IP OPTION ). Võimalik on nn. IP Direct mis on kaamera ja kaamerakanali vaheline ühendus. See ei ole ST2110 standardile vastav välisühendus. 4. Pakkuja OÜ AVEC EST pakkumus l kati tagasi alljärgnevate põhjendustega: Pakkumus ei vasta hankija poolt kehtestatud tingimustele. Pakutu ei vasta järgmistele Tehnilise kirjelduse punktidele: 1) tehniline kirjeldus, punkt 4. (Seade: GrassValley XF Universe Fiber Adapter - SMPTE Lemo või samaväärne / or equivalent *), tehnilises kirjelduses toodud spetsi katsiooni kohaselt pidi seadmel olema kuni 6x kiiruse funktsioon (Supports fi fi fi ü  all HD video formats including 1080p50/59.94 - Supports 4K formats - Supports up to 6x speed operation) Selle punkti tagasilükkamise põhjendus ei ole adekvaatne. Ka meie poolt pakutud kaamerasüsteem ei välista 6x kiirusega (või mõne muu kiirusega) kaamerasüsteemi juurde rentimist. Samuti selgub teie vastusest, et tehnikaruumi paigaldatav kaamerakanal ei ole nagunii statsionaarne kuna plaanite kaamerasüsteeme kasutada ka oma stuudiost väljaspool, spordisaalides. Ja renditakse selliseid SLO-Motion (6x kiirusega) kaameraid ikkagi terviksüsteemina, s.t. kaamera koos kaamera iberadapteri ja baasjaamaga korraga. Turul ei ole ühtegi rmat kes rendiks ainult SLO-Motion kaamerapead, renditakse ikka tervet süsteemi. Ning kuna aeglustusi kasutatakse reeglina spordivõistluse juures, siis ei ole alust ka põhjendusel et kasutada juba tehnikaruumi installeeritud kaamerakanalit. Niikuinii peab kogu süsteemi üles seadma siis spordisaalis! Olukord turul ( Eestis ): - ERR stuudiotes on kasutusel rma SONY stuudiokaamerad. ERR ülekandebussides on kasutusel Grass-Valley kaamerad, vanema põlvkonna LDK ja eelmise LDX80 seeria kaamerad - Kanal 2 ( Duo Media ) stuudiotes on kasutusel Grass-Valley LDX-82 kaamerad - TV3 (Studio 3) stuudites on kasutusel Hitachi kaamerad - Tallinna Televisiooni stuudios on kasutusel Hitachi kaamerad - Firma Levira ülekandebussides on kasutusel Grass-Valley LDX90 seeria kaamerad - Inspira (Telia) stuudios on kasutusel Panasonic PTZ kaamerad. SLO-Motion kaamerasüsteeme on Eestis hetkel kokku 6tk. 2 vanema LDK põlvkonna oma ja Leviras 4 uuema LDX seeria oma. Kordusserverid on olemas ERR-s ( 2x EVS 8-sa kanaliga ja GVG K2 ) ning Leviras ( 1x EVS 12kanalit ja 3x GVG K2 ) 6x kiirusega aeglustust võimaldavad serverid on kallid. 8 kanaliga EVS server mis võimaldaks teha ühe sellise kaamera aeglustuse maksab umb. 250 000.- eur. 2) tehniline kirjeldus, punkt 7. (Seade: GrassValley Creative Grading Panel CGP500 või samaväärne / or equivalent *), viidatud samaväärsel seadmel on kang (joystick), millega saab reguleerida nelja parameetrit korraga. Sellise põhjendusega et kangiga (Joystick) peab olema võimalik reguleerida kuni 4-ja parameetrit ei ole ei tehniliselt ega ka kasutusmugavuse poolest põhjendatud. Selline lahendus on täiesti uus ja ei ole sugugi kindel et omab elujõudu. Kaamera parameetrite reguleerimise kasutusmugavus ei ole sugugi halvem kui paneeli kangil on vaid 2-e parameetri (ava ja musta tase) reguleerimise võimalus ja teised kaks (värvi temperatuur ning võimendus) paneelil eraldi nuppude all nagu ka hulk teiste parameetrite juhtimist. Juhul kui siiski seda omadust peetakse samaväärsuse seisukohast määravaks, siis milleks üldse kogu hankes deklareerida samaväärsuse nõuet!!! Ühelgi teisel tootjal sellist lahendust ei ole. Ja enamgi veel: Sellel omadusel ei ole seost ei õppeprotsessi kvaliteediga ega ka toodetava pildi kvaliteediga. 3) tehniline kirjeldus, punkt 9. (Seade: GrassValley VF 700-H, Native HD LCD View nder for Focus and LDX Series või samaväärne / or equivalent *), viidatud samaväärsel seadmel on 7-tolline ekraan heledusega 700 Cd/m2. fi fi fi fi  Ka sellel parameetril ei ole toodetava pildi kvaliteedile otsest mõju. See kaaamera operaatori monitori maksimaalse heleduse tase on oluline ereda valguse tingimustes. Stuudios ja ka spordisaalis töötamiseks piisab ka väiksemast heleduse tasemest. Normaalseks loetakse 300 cd/m2. Küll on aga näiteks suusvõistlusi või rannavollet lmides vajalik kasutada kas märgatavalt suurema valgusjõuga ( kindlasti üle 1000 cd/m2 ) monitori või siis kasutada pikemat päikesevarjukit. Kui on tõesti õppeprotsessis vajalik suusavõistlusi lmida, siis oleme nõus 7” monitori ümber vahetama OLED monitori vastu. Nendel valgusjõud üle 1000 cd/m2, aga ka siin on soovitatav kasutada päikesevarjukit. 5. Hankija ei saa nõustuda vaidlustaja seisukohaga: „Ei saa olla nii, et hankija jaoks n.n. olulised parameetrid tulevad välja alles hiljem pakkumuste hindamise käigus ja on välja mõeldud ilma sisuliste selgitusteta. Põhimõtteliselt konkureerivate samaväärsete või isegi paremate toodete hankest kõrvaldamise ettekäändel.“ Hankija on taotlenud kõrgema kvaliteediga seadmeid kui seda on pakkunud 2 pakkujat (sh vaidlustaja) – mida näitab ka pakutavate seadmete oluliselt madalam hind. Paraku ei ole hankijal siin õigus. Näitena toodud Grass Valley LDX-92 kaamera on nn. “Entry level” Broadcast seeria kaamera. Meie poolt pakutav kaamera Hitachi SK-HD1800 aga “High end” broadcast kaamera. Suur hinnaavahe tuleneb sellest, et Hitachi kaameratel on siin hankes “õppeasutuste hind” nii nagu hankes “võimaluse korral” soovitud. Sisuliselt tähendab see kuni 50% soodustust. Võime öelda, et näiteks RAI ( Itaalia rahvusringhääling ) on soetanud viimase 4 aasta jooksul endale 450 sellist kaamerat ( SK-HD1800 ). Tegelik meie pakkumise tagasilükkamise oõhjus tundub olema, et hankija tahab vastu tulla rma Levira soovitusele hankida endale samasugused kaamerad kui nende ülekandebussides. Et need kaamerasüsteemid oleksid ristkasutatavad ja lihtne neid edasi-tagasi rentida. Kooli õppeprotsessi ja ka kvaliteedi seisukohast ei ole sellel siiski mingit tähtsust. Ja maksta selle nimel üle 60 000.- eur rohkem… on raske õigustada, Seda enam, et selle summa eest oleks võimalik endale soetada vähemalt üks kaamerasüsteem rohkem (kuni 4x kiirusega süsteemi saab kindlasti, aga võibolla ka 6x kiirusega süsteemi kui õppeasutuse hindadest rääkida). Avo Kokmann AVEC EST OÜ ( Hitachi Kokusai Electric maaletooja Eestis ) tegevdirektor fi fi fi  DIMENSIONS (CU-HD1300FT) DIMENSIONS (CU-HD500) 433 (10) 432±4 (27) (15) (50) 330 249 Multi-Format Digital HDTV Production Camera 419±2.5 285±4 45 76.2 88 (10.5) 6.8 10.3 5.9 340 (8.5) 466 61.5±1.5 482 76.2±1.5 88±1.5 6.8 395±4 5.9 10.3 8.5 466±4 482±4 DIMENSIONS (HDF-700H) DIMENSIONS (SU-1000) 147 153 (4.5) 196 204 107 221.5 246 255 4.5 (168) 2 4.5 376 (4.5) 65 385 DIMENSIONS (RU-1000VR) DIMENSIONS (RU-1500JY) 5 106 (21.5) 32.7 23.5 2 51 (4.5) 60 (2) 1.5 65 361 370 327 182 174 164 (4.5) 56.2 61.5 102 (21.5) 3 4×φ4 4 9 18 80 116 CAUTION : To ensure safe operation, please read the instruction manual before using this product. These Specifications are subject to change without notice. 32, Miyuki-cho, kodaira-shi, Tokyo 187-8511, Japan Hitachi Kokusai Electric Europe GmbH URL : http://www.hitachi-keu.com/ Phone : +81-50-3383-3432, Fax : +81-42-322-3270 Frankfurt Head Office : Siemensstr. 9, D-63263 Neu-Isenburg, Germany URL : https://www.hitachi-kokusai.co.jp/global/en/index.html Phone : +49(0) 6102-8332-0, Fax : +49(0) 6102-202616 London Office : Orion House, Bessemer Road, Welwyn Garden City, Hitachi Kokusai Electric Asia (Singapore) Pte. Ltd. Herts, AL7 1HH, UK URL: http://www.hitachi-kokusai.com.sg/ Phone : +44(0)7808 330196, Phone : +44 (0) 8451 212177 7 Tampines Grande, #02-04 Hitachi Square, Singapore 528736 Phone : +65-(0)6212-1945, Fax : +65-(0)6231-2429 Hitachi Kokusai Linear Equipamentos Eletrônicos S/A URL : http://www.hitachi-linear.com.br/ Hitachi Kokusai Electric America, Ltd. URL: http://www.hitachikokusai.us/ Headquarters : 150 Crossways Park Drive, Woodbury, NY 11797, U.S.A. Head Office : Rodovia BR 459, No121-A, Km 121 - Bairro Corrego Raso, Phone : +1 (516) 921-7200, Fax : +1 (516) 496-3718 Santa Rita do Sapucai, 37540-000, MG - Brazil West Office : 11258 Monarch Street, Unit H, Garden Grove, CA 92841, U.S.A. Phone : +55 (35) 3473-3473, Fax : +55 (35) 3473-3474 Phone : +1 (714) 895-6116, Fax : +1 (714) 895-6252 Sales Office : Alameda Santos, 745 - 9 Andar - Conj. 91B, Cerqueira Cesar, Northeast Sales : Phone : +1 (860) 757-3892 South Sales : Phone : +1 (850) 934-1234 São Paulo, 01419-001, SP - Brazil Midwest Sales : Phone : +1 (330) 334-4115 Latin / Canada Sales : Phone : +1 (516) 682-4408 Phone : +55 (11) 3541-3244, Fax : +55 (11) 3541-2425 DB-E241 Printed in Japan（D）'19-03  Multi-Format Digital HDTV Production Camera HDTV Broadcast, field High-performance starts Digital progressive signal transmission via Hy- brid Fiber optic cable Selectable gamma tables In addition to normal gamma point and balance adjustments, the and studio camera with with advanced sensors The SK-HD1800 camera system utilizes Broadcast-industry profes- SK-HD1800 offers a multi-point gamma table that provides the user sional (SMPTE-304M HFOC) Hybrid Fiber Optic Cable connectors with exposure control over just the darkest points in the image. It enables adjustment of the initial gamma gain to optimize the repro- HDR, up-sampled 4K made of high-strength stainless steel. These connectors can be mated end-to-end to extend the camera system’s usable cable duction of dark scene components. Hitachi’s DSPs assure that no Hitachi has achieved a new level of HD camera performance with length and its fiber ends are easily cleaned. additional noise components are introduced in the image even with a new generation of CMOS Full Frame progressive scan imagers. SDI and video over IP. Camera power and cable condition supervision are also performed the most aggressive Gamma Table settings. Additionally, this func- Using these newly developed progressive scan CMOS imagers, the when using the Hybrid Fiber-Optic Cable (HFOC). With the 1300-se- tion does not change any of the other parameters of the video sig- SK-HD1800 easily handles difficult mixed frequency LED lighting ries CCUs, the maximum HFOC length with applied camera power nal thus maintaining overall exposure, detail, color reproduction and and display situations. and fully operational facilities is over 4,000 meters* (>13,123 feet*). composition. The new sensors also enable the SK-HD1800 to achieve outstand- ing resolution, dynamic range, sensitivity and absence of vertical smear. A high horizontal resolution of 1000TVL (Luminance channel) *HFOC distance with applied CCU power differs depending on the system offers very high picture sharpness with low noise and ultra-low verti- configuration. cal smear. Hitachi’s SK-HD1800 broadcast studio and field production cam- era is a full-featured, uncompromising system that meets the most demanding studio and field applications. It incorporates a new gen- eration of high-performance, 2/3-inch, Global Shutter, CMOS, Full Dynamics headroom Standard Gamma High Gamma Table ON (Simulated image) Frame sensors. The SK-HD1800 delivers 1080 progressive image acquisition, processing, transmission and outputs throughout the ready for today’s HDR entire camera chain. Regardless of your cabling choices, Hitachi provides full progressive The SK-HD1800 takes full advantage of the increased dynamic Superb High Definition Ultra Gamma Seven different ultra-gamma responses are pre-programmed to picture reproduction & transmission over Single-mode fiber, SMPTE Hybrid fiber or Triax- dramatically increase the exposure latitude of the camera in high ial cables. The SK-HD1800 retains all the popular functions and range output performance of the NEW Global shutter CMOS imag- contrast or difficult shooting lighting conditions. These can be used features of the existing Hitachi SK broadcast camera line. As an ers and the widened spectral response of the optical system. to match the Hitachi camera video to camcorders and cameras of enhancement tools option, signal delivery is now available with SMPTE 2110 compliant A wider exposure latitude is now available to capture the most chal- other brands. network connections for implementation in hybrid (SDI or, IP) facili- lenging scene and lighting conditions which is especially important ties. when applying modern HDR (High Dynamic Range) workflows. ULTRA GAMMA 150 High Dynamic Range (HDR) for HDTV production is fully exploited in the SK-HD1800 camera system and is included as standard. Hybrid Log Gamma (HLG) High Dynamic Range (HDR) 125 1.1 HDR is available in two world-wide standards; Hybrid-Log Gamma BT709 HLG1200 With HLG-600/1200 and HPQ HDR functions in the SK-1800 series OUTPUT VIDEO (HLG) or Perceptual Quantization (PQ/ SMPTE 2084). HDR delivers 100 1.0 camera system, you’ll see deeper blacks, increased detail in mid- a dramatic improvement in picture reproduction when viewed on a SDR for HLG600 tones, brighter highlights and vivid colors; all resulting in a dramatic 75 Standard 1 (90%) compatible monitor or TV. 0.9 improvement in picture quality easily visible at all viewing distances. 2 (85%) The Hitachi SK-1800 system camera optionally features a high-qual- 50 3 (80%) HDR is available as standard on 2K and 4K SDI outputs on the 4 (75%) ity 3840 X 2160 UHD signal synthesized from the fully-progressive 0.8 1300-series CCUs. 5 (70%) HLG600 25 6 (65%) camera system. This 4K signal is available with Fiber or Triax cable 7 (50%) 0.7 transmission in the CU-HD1300 series CCUs that works with all our 0 progressive camera systems. 0 100 200 300 400 500 600 Video signal 0.6 INPUT SIGNAL 0.5 0.4 Black stretch and Black press The SK-HD1800black stretch/ press function allows better repro- 0.3 HDR SDR duction of dark or underexposed areas by raising or lowering the luminance response of dark zones in the image without changing 0.2 the black, master gamma, white clip or knee settings. It is especially 0.1 useful in high contrast image venues, outdoors or sports production. Maximum Dynamic range of Camera 0.0 0.0 0.1 0.2 0.3 0.4 0.5 0.6 0.7 0.8 0.9 1.0 Scene luminance 1 2  Multi-Format Digital HDTV Production Camera HDTV Lens optimization Image reproduction excellence Picture sharpness enhancement Optical and image capture functions Real-time Lens Aberration Correction (RLAC) Triple-masking Absolute detail control Versatile Global Shutter CMOS functions Modern HDTV lenses can still produce optical distortions. One of The triple-masking functions include the 12-vector, linear matrix and Hitachi provides 3 major detail controls designed to precisely place, The SK-HD1800camera system has six PRESET electronic shutter these called “lateral chromatic aberration” can be reduced in certain Skin-tone masking to provide the user flexible color control. The control and shape the picture sharpness characteristics of the speeds, for stopping action or fast-moving objects in the image, lens models when used with the SK-HD1800 camera system. The 12-vector color corrector provides independent control of the hue SK-HD1800. 1/100, 1/125, 1/250, 1/500, 1/1000, 1/2000 (1080/59.94i), plus Hitachi RLAC (Real-time Lens Aberration Correction) function dy- and saturation for six primary and six secondary combinations of LOCK SCAN to capture non-synchronous displays without flicker. namically enhances images using correction data provided by the colors. The 12-vector, linear matrix and Skin-tone masking provide Skin-tone Detail Automatic Electronic Shutter (AES) maintains the video level when lens through a digital interface with the camera. This corrective ac- overall color control providing the user with excellent and precise The Skin-tone Detail functions allow a skin-tone color-based soft- the maximum F-stop shooting condition is reached tion takes place as the lens zoom, focus and iris are operated. color rendition. ening of the image to achieve the impression of more youthful TV personalities. Programmable Smooth Video Gain Two individual memories exist as well as a function to automatically This new function allows the SK-HD1800to smoothly and seam- detect the hue, saturation and luminance of the Skin-tone to be lessly transition between the video gain settings and electronic color affected. This function is not limited to Skin-tones only; it can in- correction filters. Continuous recording can be achieved without crease or decrease the sharpness of any pair of colors in the image. flash or glitch artifacts in the image. Original Image Color corrected (Simulated image) Furthermore, the Skin-tone Detail level can be adjusted to follow the Full Frame RLAC OFF RLAC ON lens zoom position so that a natural overall enhancement is realized Optical filters Preset Masking at wide angle shots of the talent. A servo-controlled, 4-position optical filter wheel is provided as stan- Gray-Scale automatic setup With Hitachi’s preset masking selection, various image color spaces dard. The positions can be memorized in scene files and selected The SK-HD1800 offers through-the-lens Gray-Scale Automatic Set- locally by the camera man or remotely from any control surface. The such as STANDARD (Hitachi standard), ITU-709, SMPTE-240M, up function to optimize the complete image reproduction system. filters provided are: Clear, 4-point Cross,1/16ND and 1/64ND. All SMPTE-WIDE, NTSC, and EBU can be used for instant col- Video parameters like Gain, Gamma, and Flare are the video signal optical replacement filters can be purchased and installed by your or-matching between cameras. The preset values can be offset to functions that could vary from lens to lens are consistently corrected Hitachi representative. taste or need via menu. accurately. Skin tone Detail OFF Skin tone Detail ON (Simulated image) ECC (Electronic Color Compensation) Skin-tone masking The Skin-tone masking function provides “fine painting” (hue and Master Detail items Due to the wide gain characteristics of the SK-HD1800, the ECC saturation) of Skin tones without affecting other colors in the scene. function compensates for color temperature electronically by pro- Master Detail items are available to adjust varied parameters of the This function is additional and independent from the linear matrix viding preset gains to equal color temperature gradations of 3200K, detail signal to taste or to achieve a desired “look” in your produc- and 12-vector-masking functions thereby adding an additional third 4300K, 5600K, 6300K and 8000K. The ECC can be selected locally tions. Some of these adjustments are; H/V detail, crisp, level depen- color correction tool. or by any remote-control unit. dence, knee detail, limiter, source, frequency and balance. The filter selection can be stored in the Scene files and its status can be displayed on the view finder and the monitor output. High-chroma detail Automatic setup of vertical and horizontal modulation shading The High-chroma detail adjustments allow precise control of the de- Viewfinder Focus Assist The SK-HD1800 assures that with any lens used, an even, white tail level in highly color-saturated portions of the picture such as the Three different visual aids are available to help the camera operator balance throughout the raster will be attained by the automatic ver- petals of a rose or a colorful fabric. find the right focus: VF DTL, VF PEAKING and VF Focus Assist. tical and horizontal modulation shading correction function. At the The Area Marker detects edges inside area, while a focus indicator Skin-tone masking OFF Skin-tone masking ON (Simulated image) simple push of a button, this function provides correction for and shows the actual detail level by a horizontal line. A Focus Indicator stores 8 separate individual memories of lens’ modulation shading Gauge can further be set to lock the maximum achieved level for a Lens Files characteristics for the X1 and X2 lens extender positions. few seconds. The SK-HD1800 can store 8 lens files which include various lens correction data such as vertical modulation shading. This lens cor- Quick-focus function for Precise Focus rection data can also be stored in a card (SD card), where it can be recalled as needed. High-chroma detail OFF High-chroma detail ON (Simulated image) The Quick Focus function automatically opens the iris then sets the video level with the electronic shutter at the push of a button. The Chroma Saturation resulting shallow depth of focus, allows the cameraman to set the exact focus with ease. In addition to the extensive color controls offered in the SK-HD1800, the overall color saturation can be varied to taste. AES Automatic Exposure System Knee Saturation The AES provides a fully automatic exposure system allowing unat- The Knee Saturation function restores color saturation to scene tended image capture from dusk to dawn. Gain, lens iris, ND filter, highlights above a certain video level. Color saturated objects or real-time auto white and variable shutter work in conjunction to skin-tones lost in overexposed scenes are now accurately captured. maintain 100 video level under uncontrolled lighting such as when reproducing outdoor observation images. The feature can be re- Auto-knee motely activated and stored in scene files. The auto knee provides the perception of a wider dynamic range by dynamically compressing (varying knee and slope) the video level in accordance to the strength of its over-exposure. 3 4  Multi-Format Digital HDTV Production Camera Ease of use characteristics & functions Servo-motor, remotely controlled, filter wheel Digital progressive signal transmission with Single-Mode fiber optic cable Programmable soft-switches (CS-1, CA-CS) The SK-HD1800 camera head offers remote and local control of the HDTV camera systems use SMPTE-311M type Hybrid Fiber Optic Due to Hitachi’s power supply design, all Hitachi camera heads (head The cameraperson can assign Zebra, marker, VF Detail, Quick Fo- 4 position ND filter wheel. Any control panel has access to the filter Cable (HFOC) therefore can also use common Single-Mode duplex and cable adapter “CA”) can be operated with an AC or DC power cus or FAW to the CS-1 switch via the operation menu. The CA- selection. A Star Filter is provided as standard, but all filters can be (FO) fiber cable typically found in modern wiring infrastructures. supply. CS switch can take on the functions of VF Detail on/off, marker-1 or easily exchanged through the lens mount. All Hitachi HDTV and UHD cameras can use Single Mode (SM) du- The maximum cable distance with SM FO cable is 10,000 meters or marker-2 on/off. plex FO without additional or external equipment or special adapt- >32,800 feet. ers. The cable operation mode is selectable via a Menu. Viewfinder options CCU Seven viewfinder options are offered with the SK-HD1800 camera CU-HD1300FT Single Mode SM Fiber Tx HFOC system. Black & White CRT-type and LCD color viewfinders are HFOC break-out box SM Fiber Rx HFOC break-out box available for ENG (2-inch). Five different larger studio viewfinders HFOC operation SMF including 9-inch and 7-inch color TFT-LCD screen viewfinders and Fiber System Camera Head / Adaptor SK-HD1800 / CA-HF1300 step-up AC transformer ( to 230 VAC) AC 100 V or AC 117 V operation can be selected on the CCU menu 7.4 inch OLED are offered for critical viewing such as encountered in AC Adaptor AC 230 V studio productions. Viewfinder markers & functions The SK-HD1800 provides an excellent range of viewfinder mark- Digital progressive signal transmission with TRIAXIAL copper cable ers and functions to aid the cameraman obtain outstanding re- Hitachi’s R&D and expertise in digital transmission enables the This (3G) digital triax is fully compatible with all Hitachi progressive sults during a TV program production. All VF marker & personal Prompter video / power, auxiliary returns offering of the progressive digital triaxial cable system. This new and interlaced camera heads. Due to its high quality and band- preference parameters can be stored in 4 dedicated memories for Both SDI and Analog prompter video are available simultaneously.* digital transceiver offers video quality visually equivalent to that of a width, it preserves HDR as well as the HD-SDI signals used for different camerapersons, programs, shooting conditions or events. Up to 6 SDI returns can be input on CU-HD1300FT-S1 for selec- fiber-optic system. up-scaling to 4K (UHD) inside the 1300-series CCU. These settings can be shared or moved to different cameras with a tion or output at the camera head.* Red/ Green tally commands, simple SD card thus saving setup time. Prompter and floor monitor AC power is provided on the cable Some of the programmable functions include; color/mono, detail, adapter. crisp, safety zone, 2 movable markers, center cross-hair, 2 movable * (option) effects boxes, variable aspect ratio side panels, side panel contrast/ bright, 2-mode zebra and variable line display level polarity. CU-HD1300FT Front Panel Viewfinder status displays Iris F-stop, Lens Extender position, Shutter speed, Optical and ECC filter in use, and Gain setting are all independently displayed 4x 3G-SDI OUT (1/2/3/4) GL IN MIC OUT1, MIC OUT2 via menu selection. Menu selection also includes over-level or be- Output 4K SQD/2SI after 4K upgrade. (Tri-Sync or BBS) tween-range zebra pattern. SMPTE311 Optical Connector PROMPT IN in only CU-HD1300FT Camera head inputs & outputs REMOTE3 (Analog) Provide SM Fiber Cable operation RJ45 for IP network Control The camera head provides (2) HD-SDI outputs, (1) SD analog and REMOTE (1/2) (Switchable Hybrid/SM Fiber in CCU menu) (1) HD teleprompter out, (1) HD-SDI switchable as Monitor or VF and RET video output via BNC connectors. The MIC-1 channel is switchable with balanced XLR input connector located at the front 12G-SDI OUT (1/2) AC IN of the camera (shotgun mic) or at the rear of the CA-HF1300. All the Output 4K 12G-SDI 100VAC to 240VAC microphone inputs provide phantom power supplies and accept mic Auto sensing or line levels. A SCRIPT LAMP port is provided with 12VDC and can power wireless MIC These IOs satisfy a wide variety of production requirements and are transceivers or Intercom auxiliary units. typically provided with broadcast-grade cameras. RET CONT allows switching of SDI AUX video on the VF when the camera is HD/SD1 OUT, HD/SD2 OUT, TALLY OUT used on a Crane. HD/SD3 OUT Selects from 1080p, 1080i, 720p, 24PsF and SD TRIAX Connector HD/SD4 OUT (WFM/MON) WFM CONTROL Selects from 1080p, 1080i, 720p and SD SDI OUT/RET B IN (1/2) COMMUNICATION For HD-SDI2 output of camera head at 1080p Fiber mode. INTERCOM, PGM, TALLY IN HD/SD output at Triax and 1080i Fiber mode. * Selectable 4W/2W and Voltage/Contact Selects from 1080p, 1080i, 720p and SD in CCU menu MIC REMOTE RET A IN (1/2) For VF and MON/RET output of camera head Selects from 1080p, 1080i, 720p and SD 5 6  Multi-Format Digital HDTV Production Camera Flexible Choice of Camera Control Units System configuration chart Two different Camera Control Units (CCU) are offered to accommo- 7-inch Viewfinder 9-inch Viewfinder 7.4-inch Viewfinder date various budgets and configuration requirements. CU-HD500 / CU-HD500-S5 VF-L90HD HDF-700H HDF-EL800H ■ CU-HD1300 series* – Broadcast, full-HD 1080 progressive, networkable CCUs include CU-HD1300F fiber, the CU-HD1300T Viewfinder adaptor AT-951 Viewfinder hood Viewfinder adaptor Viewfinder Adaptor 7.4-inch Viewfinder HO-1900S-R1 AT-750 AT-951 Long hood digital triax and CU-HD1300FT that offer both fiber and triax or Viewfinder Adaptor Viewfinder Adaptor Viewfinder Adaptor HO-1800 camera cable options. Includes HDR, has options for 12G 4K SDI AT-90 AT-90 AT-90 Microphone and ST-2110 Video over IP. SGM-PII ■ CU-HD500* – An economical 1080/ 50i & 59.94i (optional 720/ CU-HD500 Front Panel 50i & 59.94i) Fiber CCU having full rack width, 2RU high. Microphone holder MH-1000 CU-HD500-S5 has IP control interface. CCU Common Features and Benefits Microphone SGM-PDII 1080i Fiber cable ■ Multi Format outputs :3G 1080p(50/59.94) 1.5G 1080i (50/59.94) / 720p (50/59.94) / SD-SDI (CU-HD1300FT / 1300T) Microphone holder Camera control unit CU-HD500 Remote control units Camera adaptor ■ TCP/IP Network connectivity via RJ45 CU-HD500 Rear Panel MH-402 CA-HF1000 RU-1000VR/RU-1500JY Remote control cable (CU-HD1300T/FT,CU-HD500-S5) Camera head Setup control Unit 2-inch viewfinder ■ HD-SDI and SD-SDI outputs VF-402-S3** SK-HD1800 SU-1000 ■ 4 auxiliary returns (CU-HD1300T/FT) VF-L20HD ■ Dedicated teleprompter channel Option Model 1080p multiformat Fiber cable ■ SMPTE color bar output 4K format (50/59.94) : CU-HD1300FT-S1 Camera control unit ■ 2 channel balanced analog Mic audio outputs or embedded Back lit rear panel : CX-HD1300/CA-HF1300 CU-HD1300FT Camera adaptor HD-SDI digital audio Delivery in six months after order CA-HF1300 RJ-45 RJ-45 ■ Genlock with composite or tri-level sync Portable Zoom Lens ■ 2-tally (Red/Green) system. Tripod adaptor ■ 2-channel, 2W/4W intercom system. TA-Z3 ■ RS-232C remote control (CU-HD500) 1080p Triax cable RJ-45 Network Switch or Hub * (See detailed specifications on the last page of this brochure) Triax Camera control unit CU-HD1300T Triax adaptor CX-HD1300 LARGE BOX Lens Dust Cover Rain Cover ** VF-402-S3 is subject to Import Portable - RC-1200 restrictions in certain countries, Portable w/ Tripod DC-1900 RC-1900 please contact your local Hitachi Large lens adaptor Studio adaptor SA-1100 Carring case CL-1000 Studio Adaptor DC-1900S RC-1900S Kokusai office to check if avail- able in your country. The SA-1100 serves primarily as a mechanical large lens supporter and it also offers these important features: the ability to use “Hanger-type” box lenses and “Bayonet-type” hand-held portable lenses without removing the camera from the actual SA-1100. Functions routinely required by the cameraperson in Studio and Field production are brought out from the camera menu and presented in the SA-1100’s rear op- eration panel for easy access. This Studio Adaptor includes a “Cable-less” and “tool-less” camera interface which increases the systems’ reliability and retains the flexibility of having multiple choices for viewfinders when using big lenses. SA-1100 Rear Panel (with CA-HF1300/HDF-EL800H) 7 8  Multi-Format Digital HDTV Production Camera SPECIFICATIONS Camera Head SK-HD1800 Fiber Camera Adaptor CA-HF1300 Studio Adaptor SA-1100 Camera Control Unit CU-HD500U (59.94Hz) / CU-HD500E (50Hz) Camera Head 1x-Triax connector CCU connector 1x-type HFOC female connector ( LEMO ) Dimensions 320(W) x 344(H) x 525(D) mm approx. Genlock 1x BNC, B-BST 0.45Vp-p/75Ω (loop through) Model name SK-HD1800 (59.94Hz) , SK-HD1800E(50Hz) SMPTE-304M-type Power Consumption 2.0W approx. HDTV tri-level sync 0.60Vp-p/75Ω (loop through) Image sensor 2/3-inch equivalent, CMOS image sensor Intercom 2x channel, each XLR 5-pin, channel selection, (excluding Lens, Viewfinder, Camera, DC output) Digital Return 1/2 1x BNC, HD SDI or SD SDI Effective pixels 1,920 (H) × 1,080 (V) MIC on/off, volume Mass 16.5kg, 36.4lbs approx. Prompt 1x BNC, VS or VBS 1.0Vp-p/75Ω (loop through) Native Scan 1080/59.94p, 1080/50p Program audio 2x, PGM audio level controls w / Chnl1 & Chnl2 intercom mix (excluding Lens, Viewfinder and Camera) Intercom ( Headset ) 5-pin XLR, -60dBm Prism F1.4 Teleprompter power 1x 5-pin, AC230 V, 100 VA, external prompter R/G Tally drive out DC output DC12V±10% MAX 2.5A Communication 1xD-sub 25-pin,Incom,Tally Optical Filter 1x motorized filter wheel output ( depending on configuration accessories ) DC5V±10% MAX 0.8A Intercom 0dBm / 600Ω at 4Wire, 0dbu or -15dbu / 200Ω at 2Wire ND( CLEAR, CROSS, 1/16 ND, 1/64 ND) Microphones Channel 1 & 2 Line or MIC level select ( MENU ), Operating temperature -10 °C to +45 °C, +14 °F to +113 °F PGM 0dBm / 600Ω with +48 V phantom power on/off Operating humidity 30 to 90 %RH R/G TALLY Contact or DC supply ECC 3200 K, 4300 K, 5600 K, 6300 K, 8000K Return/ Aux switcher 4-input remote AUX / VF video select connector DC input DC12V±10% Digital Out 2x BNC, HD-SDI (Embedded audio available) Lens mount B4 Bayonet 4x BNC, HD-SDI or SD-SDI selectable (Embedded audio available) ( RET control ) HD Resolution 1000TVL HD-SDI or SD-SDI selectable PIX (Embedded audio available) Video Inputs & Outputs 1x 3G HD-SDI OUT, 1X SD analog teleprompter out shared HD SNR 62 dB MIC OUT 1/MIC OUT 2 1x XLR, 3-pin, 0dBm/ 600Ω with Genlock in, 1x HD-SDI RET OUT Sensitivity 1080/59.94p, 59.94i : F10 @ 2000 lx, 3200 K, 89.9% reflectance Other I/O 1x 29-pin (for SA-1100 cable-less interface) (female) 2-inch Color Viewfinder VF-L20HD Intercom ( headset ) 1x XLR, 5-pin, 0dBu Max +15dB 1080/50p, 50i : F11 @ 2000 lx, 3200 K, 89.9% reflectance Remote 1/Remote 2 1x 4-pin, 1.5Vp-p 1x 5-pin script lamp DC12 V (1.0 A max) (female) Display device 2-inch color TFT LCD (16:9) Minimum illumination 2 lx (at F1.4, GAIN: +24 dB) MIC REMOTE 1x D-sub 15-pin MIC1.2 GAIN 1x 6-pin VF AUX return (female) Number of pixels 960 (H) x 540 (V) Vertical Smear No smear TALLY OUT 1x D-sub 9-pin (for use in cranes or extended Head / VF configurations) Gain selection L (low) -6/-3/0dB Functions Bright, Contrast, Peaking, knobs VR front-facing R/G Tally Contact or Voltage selectable 1x XLR 4-pin, DC12 V power input (male) Diopter M (medium) 0/+3/+6/+9/+12/+15/+18/+21/dB WFM control 1x D-sub 15-pin WFM 0-7, 0/5V H (high) +3/+6/+9/+12/+15/+18/+21/+24 dB Dimensions 133 (W) x 189 (H) x 194 (D) mm Internal tally Red / Green Mass 2.2 kg, 4.8 lbs. approx. Power supply voltage CU-HD500U AC117V / CU-HD500E 230V Shutter Preset mode Tally switch Tally switch OFF, NORMAL, HIGH Operating temperature -10ºC to +45ºC, 14ºF to 113ºF HFOC maximum cable distance 1,000 meters (3,280 feet) with CCU power* 1/100, 1/125, 1/250, 1/500, 1/1000, 1/2000 second (59.94Hz) Power Consumption Approx. 5.0 W (at Heater-OFF) 1/60, 1/125, 1/250, 1/500, 1/1000, 1/2000 second (50Hz) 6.5 W (at Heater -ON) Operating temperature 0°C to 40°C, 32°F to 104°F Lock scan mode Power consumption 300W approx.(AC operation, including SK-HD1800, 1/60.37 to 1/1987 second (59.94Hz) VF-402 and AUX POWER OUT 100VA) 1/50.36 to 1/2025 second (50Hz) Camera Control Unit CU-HD1300FT/ CU-HD1300T Mass 9kg, 19.8lbs AES mode GENLOCK IN 1x BNC 7-inch Viewfinder HDF-700H * 6km (with normal single fiber) Automatic video level control by shutter speed. ・B-BST 0.45Vp-p/75Ω ( loop through ) Picture Resolution 800 (H) x 480 (V) Geometric distortion Negligible (excluding lens characteristics) ・HDTV tri-level sync 0.60Vp-p/75Ω ( loop through ) Registration Overall 0.01 % (excluding lens characteristics) Input Signals Analog Y/Pb/Pr RETURN IN (1/2/3/4) 2x BNC, 3G-SDI/HD SDI(1080i or 720P)/ SD SDI Dimensions 133(W) x 191(H) x 262(D) mm RETURN B IN (1/2) ・3G-SDI: SMPTE424/425 Level-A Internal tally Red/Green Power supply voltage DC 12 V (10.5 V to 17 V ) ・HD-SDI: SMPTE292M Dimensions 195 (W) x 153 (H) x 50 (D)mm Temperature range Operation -10 °C to +45 °C , 14 °F to +113 °F ・SD-SDI: SMPTE259M-C Mass 1.0kg, 2.2lbs approx. Storage -20 °C to +60 °C , -4 °F to +140 °F NOTE: RETURN (3/4) and RETURN B (1/2)are provided by Power Consumption 20W Head only (without VF) CU-HD1300FTE and CU-HD1300FE MASS approx. 2.1 kg, 4.6 lbs, Head only (without VF) PROMPT IN 1x BNC, VS or VBS 1.0Vp-p/75Ω ( loop through ) Input & Output MON/VF/RET OUT: BNC x 1, HD-SDI HD/SD OUT (1/2/3) 6x BNC, 3G-SDI(1080p)/HD-SDI (1080/25p, 1080/25PsF, 1080i REMOTE: 4-pin Multi connector for remote control panel or 720p)/ SD-SDI selectable ( Embedded audio available ) VF: 20-pin Multi VF connector ・3G-SDI: SMPTE424/425 Level-A LENS: 12-pin Multi LENS connector ・HD-SDI: SMPTE292M MIC: 3-pin XLR MIC-1 connector ・SD-SDI: SMPTE259M-C SD Memory Card Slot PIX/WFW OUT 1x BNC, 3G-SDI/HD-SDI (1080i or 720p)/SD-SDI selectable ( Embedded audio available ) ・3G-SDI: SMPTE424/425 Level-A ・HD-SDI: SMPTE292M Triax Camera Adaptor CX-HD1300 ・SD-SDI: SMPTE259M-C DIMENSIONS (SK-HD1800 with CA-HF1300) DIMENSIONS (SA-1100) CCU connector 1x-Triax connector MIC OUT 1 1x XLR, 3-pin, 0dBm/ 600Ω Video transmission Fully digital bi-directional, 10-bit, 4 : 2 : 2 sampling, 3G MIC OUT 2 1x XLR, 3-pin, 0dBm/ 600Ω system (1080p50/59.94) INTERCOM (HEAD SET) 1x XLR, 5-pin, 0dBu Max +15dB Intercom 2x channel, 5-pin each XLR, REMOTE 1 1x 4-pin, 1.5Vp-p or 1x D-sub, 9-pin RS-232C ( Switchable ) 75 MIC on/off, ENG/PD level control, Tracker level control REMOTE 2 1x 4-pin, 1.5Vp-p Program audio 2x, PGM audio level controls w/ Chnl1 & Chnl2 intercom mix REMOTE 3 1x RJ-45 Teleprompter power 1x 5-pin, 230 VAC, 60 W to 100 W, external prompter Tally COMMUNICATION 1x D-sub 25-pin output drive out ( depending on configuration accessories ) ・INTERCOM 0dBm , 600 Ω at 4Wire 344 Microphones Chnl1 & 2, Line or MIC level select ( MENU ), 0dBu or -15dBu ,200 Ω at 2Wire with +48 V phantom power on/off (ENG, PD and PGM) 191 Return/ Aux switcher Remote AUX / VF video select connector ( RET control ) TALLY OUT (R/G) 1x D-sub 9-pin, Contact 24 Vdc, 10 mA Video Inputs & Outputs 2x HD-SDI1/3 OUT, 3G-SDI/HD-SDI WFM CONTROL 1x D-sub 15-pin WFM 0-7, 0/5V ・3G-SDI (1080p50/59.94): SMPTE424/425 Level-A Power supply voltage 100 to 240 VAC 47 to 63Hz(with auto-sensing mode) ・HD-SDI (1080i50/59.94): SMPTE292M Mass 11 kg, 24.3 lbs. approx. 320 525 36 1x HD-SDI2 OUT 3G-SDI or HD-SDI Dimensions 432 (W) × 88 (H) × 419 (D) mm, 2 RU ・3G-SDI (1080p50/59.94): SMPTE424/425 Level-A 163 Operating temperature 0°C to 40°C, 32°F to 104°F ・HD-SDI (1080i50/59.94): SMPTE292M Power consumption 300W approx. ( AC operation, including SK-HD1800, 133 262 1x SD analog prompter out shared with Genlock in 348 Other I/O VF-402 and AUX POWER OUT 100VA ) 1x 29-pin ( for SA-1000 cable-less interface ) (female) 1x 5-pin script lamp +12 VDC (1.0 A max ) (female) 1x 6-pin VF AUX return (female) ( for use in cranes or extended Head / VF configurations ) 1x XLR 4-pin, 12VDC power input (male) Dimensions 142 (W) x 188 (H) x 202 (D) Mass 2.6 kg, 5.7 lbs. approx. Operating Temperature -10 °C to +45 °C, +14 °F to +113 °F 9 10